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As an executive coach, I work with my clients to help them clarify what they truly want and then assist them in getting from where they are to where they want to be. Part of this process involves identifying the ‘blockers’ or barriers that are in the way. From year-to-year I find certain themes surfacing among my clients. One that seems to be coming up recently is the notion of self-promotion.
We need to promote ourselves in a positive light and highlight our best skills and experiences. But how do we do this without being too self-promoting? Consider if you identify with any of these statements:
Knowing the value that you bring to your role and organization is the critical first step in enhancing your brand. However, it can be daunting for many of us to identify this value, and even more difficult to learn how to express it. Not to worry. In this article, you will discover a few clear and actionable steps to understand what sets you apart, clarify your unique point of view and capabilities, and learn how to communicate these with a clear storytelling framework.
Setting the frame
This concept of self-promotion was something that I dealt with directly in my previous work as a professional performing artist a street performer, to be precise. Let me elaborate...
In the late 1970s, after college, I took a step back from academia and stepped fully into the world of theatre and the performing arts. My stage was a popular street venue, or ‘pitch’, at Faneuil Hall Marketplace in Boston. My audience was passers-by whom I could entice to stop and watch. I quickly learned that this task was easier said than done. My journey to becoming a seasoned performer was beginning.
How to toot your own horn without blowing it!
So, why are some of us afraid of, or loath to, toot our own horn? Is it that we do not want to come across as aggressive, arrogant, or self-serving? Is it that we are introverted and feel less confident speaking directly to those in senior positions? Let us examine these for a moment.
Introverts vs. Extraverts: making your voice count
At times, being an introvert may seem like a limitation, but it isn’t it is a gift. And it is up to us to find a way to bring our astute observations and insights forward at the right time and to the right people. It begins with knowing the value that we bring to the table, developing our unique point of view, and experimenting with bringing our voice into the room.
Along that same vein, being an extravert holds much value and power in many cultures. However, it does not mean it is okay for us to suck up all the air in the room by constantly pushing our ideas forward. Extraverts need to make their powerful voices count. They have an opportunity, maybe even a responsibility to advocate for and draw out the other voices in the room. It begins with developing some intellectual humility and being open to hearing a fresh perspective.
Engineers, scientists, and finance leaders develop a mindset of curiosity, intellectual engagement, and mastery rather than achievement and advancement. This mindset can create a significant blind spot when it comes to managing their careers.
Make yourself interesting
My first year of street performing was difficult. As hard as I tried, I would get a group of about 15-20 people to stop and watch me, but with the slightest gust of wind poof, they would be gone. I began to observe other more highly skilled performers effortlessly attract a crowd of over 300 people. How did they do it? It was all about making themselves interesting.
The best street performers did something unique to them, grabbed attention, and drew the audience in. So I set about learning how to make myself interesting. I learned it was not so much about me, but much more about my audience. I learned to take a keen interest in them and understand what gets them to stop and pay attention. I learned to get them involved right away. Something simple like taking the hands of two random people and standing them close together. Have them raise their arms and bow. I would then get any other people who might be watching to clap. This would then attract more people who wanted to see what was going on. And it built from there.
Think beyond your task and link your actions to the vision and strategy of the organization.
I became interesting by becoming interested in others. It also didn’t hurt to have on a half-cut tuxedo, suspenders, and a nifty top hat! I learned to bring bright energy to every performance, instill confidence in my audience, and send the signals that my act was going to be worth their time. I learned to notice the small things and stay connected to my audience and always draw them in closer and closer.
The street was a platform for failure. It was not about being perfect quite the opposite. It was more about how to make the most of my mistakes. It allowed me to grind my way into something that felt authentic. I was inspired to be my best by watching the best. I learned the principles of great performers and then created my own unique and successful act one performance at a time.
Merit alone
Many of us have been taught to be humble about our accomplishments. As a direct result, we develop an attitude that the quality of our work should stand for itself. This is a merit-based mindset that can be rooted in our upbringing and education.
Engineers, scientists, and finance leaders are taught the importance of accuracy and knowledge acquisition. They develop a mindset of curiosity, intellectual engagement, and mastery rather than achievement and advancement. They tend to be uncomfortable making premature claims and presenting incomplete data, as there is always something new to learn. However, this mindset can create a significant blind spot when it comes to managing their careers.
For the street performer, this was a critical question to answer. As I developed the instincts of a seasoned performer, I also needed to make myself marketable beyond the street. This included press releases, marketing materials, and sales pitches. I expanded my reach to college audiences, festivals across North America, and theatres.
You might think that it all came naturally. Not so much. I was an interesting mix of introvert and extrovert and had to learn how to talk about myself in a way that was both bold and humble.
Early in my performing career, I applied to be an artist in residence with the Rhode Island State Council for the Arts. On the day of my interview, I was asked to step into the board room. As I entered, I noticed several folks already seated waiting to speak with me. I was invited to sit at the head of the table. Instinctively, I remained standing and greeted each person individually while giving each person my eyes and asking them in. I opened my portfolio and gave the group a tour of my press clippings, photographs, and marketing materials.
As I spoke, I used a story-selling technique I had learned that still serves me today. (Story selling is the art of building an authentic brand based on a story that is engaging, relatable, easy to remember, and persuades prospects to buy). Rather than speaking about myself, I used the voice of my prior sponsors. I would say, “What the folks at the River Festival most appreciated about working with me was…”, “What I was best known for at the marketplace was…”, and “What members of the audience would say about my performance was…”. Do you see how this changes the frame? I am using others’ words about how they experienced me, my work, and the impact that it had on them. These are just starter phrases. It is up to you to build out the story from there. How could you use this technique to promote your work and the work of your team?
What are you known for?
Picture a room of senior leaders who are seeking to fill a new position. What are they looking for? How do they speak about each of the candidates? What is the story that you would like them to be telling about you?
Ask yourself the following question: “What do you want to be known for”? This is your brand. Answer these quick questions to zero in on this.
Becoming clear about the value that you bring to your role, your team, and the organization is critical to finding one’s voice. Try to discover what people genuinely appreciate in you. For example, is it the type of questions that you ask? Is it how you hold others accountable? Is it how you can look past your agenda and get the group to see the larger picture? I recommend two additional strategies:
Once you have these nailed down, you can send the right messages to the right people at the right time.
Gaining visibility
We cannot assume that our efforts or potential are recognized by senior leaders or even our direct managers. Thus, it is important for us to learn to become more visible and make ourselves more memorable. Below are a few things to consider depending on your situation.
When you are ready to introduce the keynote speaker, avoid mechanically reading their bio, and instead give a Remarkable Introduction©. (This is an exercise that I teach in my learning programs to help participants get beyond the rote, boring, and robotic introductions that plague business meetings and conferences). Ask him or her what they are most passionate about or something unique about them. Ask him or her about the experience they are about to create and get the audience excited about it.
Success is in the experience we create for others
During my time as a street performer, I learned that if I just stood in front of a crowd and began to juggle, some people would stop for a moment and then continue walking past. Being a successful performer was not just about showing off my skills. I needed to give my audience something to relate to or connect with. Yes, I learned that I needed to make myself more interesting, but it was more about the experience that I wanted to create for them. Once I focused on what I wanted my audience to think, feel or do, everything changed. The same is true for how we ‘perform’ in our professional roles and careers. Once we learn to focus our attention on the impact that we want to have on our team, organization, and customers, we will begin to get noticed, appreciated, and promoted.
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